EUCMS: Joseph and the Amazing Technicolor Dreamcoat - Review by Tracy Payne

Reimagining a well-loved musical like Joseph and the Amazing Technicolor Dreamcoat is no

small task—but this community theatre production tackled it with infectious energy and

undeniable heart. With fresh staging and spirited performances, this remake breathed new

life into Andrew Lloyd Webber and Tim Rice’s classic. The result was a feel-good celebration

of storytelling, song, and the joy of live performance.

At the heart of the production was Michael Clewes in the title role, who brought a

commanding presence and vocal strength to Joseph. His rendition of “Close Every Door”

was a particular standout, showcasing not only his powerful voice but an exceptional upper

range that gave the iconic number real emotional depth. Clewes portrayed Joseph with both

sincerity and charm, anchoring the show with confidence.

While the title suggests the show is all about Joseph, there’s an entertaining parade of

characters who piece the Biblical story together via a quirky tapestry of musical styles and

thematic genres. Leading the charge, were Narrators Hannah O’Donoghue and Lily Rowe

who ably guided the audience through each twist in Joseph’s tale, Guy Burge who brought

a delicate balance of strength and vulnerability to the patriarch Jacob and Shane Andrews

who delighted the audience with his energetic Vegas-inspired portrayal of Pharoah.

But it was the ensemble of 11 young men portraying Joseph’s brothers who truly stole the

spotlight (Angus Farrell, Joshua Wilson, Leo O’Donoghue, Mackenzie Day, Miles

Farrell, Cameron McAlpine, Oliver Appave, Leron Pinco, Charlie Moyes, Ali Babasafari

and Aodhan Lloyd). With boundless energy and tight-knit camaraderie, they brought

humour, mischief, and flair to every scene they were in. Whether bemoaning their fate in

“Those Canaan Days” or relishing the absurdity of “Benjamin Calypso,” their performances

were full of character and commitment. The vocals were strong, the harmonies brought

goosebumps, and the dancing gave an energy that (almost literally) leapt off the stage. Each

actor brought a unique personality to their role while contributing to a cohesive and

thoroughly entertaining ensemble.

Each of the brothers was partnered with a “wife”, a featured dancer who matched the energy

of their counterpart and honoured Amelia Keith’s inventive choreography which capitalised

on the relatively small space while also showing the exceptional skills of her dancers. In

addition to the 11 brothers and 11 wives, there was a children’s ensemble, an adult

ensemble and additional supporting characters – this cast was huge! And yet, each was

used purposefully, adding colour and enthusiasm, demonstrating a commitment to character

and a passion for the narrative in every scene. Director Bess Yager worked magic to bring

such a large and diverse cast together so seamlessly.

Visually, the show made creative use of simple sets, discreet staging tech and bold costume

choices to evoke the story’s whimsical charm. Special note needs to be made of Joseph’s

multicoloured coat, a central piece which was a definite highlight with its surprising “magical”

powers (I won’t give spoilers … but it was pretty cool).

Paralleling the visual feast, musical direction (Andrew Yager) ensured that the show’s songs

remained a highlight. The vocals were clear and harmonies well-blended, and the

accompaniment from the orchestra matched the emotion and energy on stage.

It was no mean feat to bring new life to this well-loved musical, all while involving so many

passionate performers, but the Creative team – Bess Yager, Andrew Yager, Jessica Lee

and Amelia Keith - have done a wonderful job.

Joseph and the Amazing Technicolour Dreamcoat at EUCMS is a celebration of community

theatre. With clever direction, vibrant choreography, and a cast brimming with enthusiasm,

this production proves that a familiar story can still surprise and delight when told with heart

and imagination. So, if you enjoy catchy tunes, a colourful spectacle, or you just like to

support local performers, this rendition of Joseph delivers joy in technicolour and is well

worth your time.