Blackout Theatre Company: Mamma Mia - Review by Joshua Straw

I’ve always wanted to go to Greece in the Summer. There is something so wholly enticing about the idea of exploring its myriad islands under the sun, forming new and exciting relationships and making memories that I’d never forget. I was actually meant to do this - back in 2020 the flights were booked and the bags were practically packed, but sadly the state of the world had other ideas. 

Photos courtesy of Cam McCredie & Maria Gorelik

I haven’t yet had my Greek Island adventure, it pains me to admit. However, in lieu of my Contiki, I have found solace in Blackout Theatre Company’s joyful performance of Mamma Mia!, which has temporarily satiated my appetite.

With the ship masterfully helmed by Director John Hanna, the beauty of Greece was brought to life within the Pioneer Theatre. There was intentional charm in the design of the stage, not to mention the organisation and ambiance of the seating, that one could not help but feel utterly transported. Through his direction, the campy and manic (non-derogatory) nature of Mamma Mia! gained a touching dose of realism that allowed for a deeper human connection to form between the stage-world and the audience.

The backbone of this show is, of course, the music. Mamma Mia! is a beast of a show; the music has to be just right in order to meet the impossible standards of the ABBA-loving cult we call society. Music Director Alvin Mak does the score justice; the band is right, the harmonies are tight, and I worked hard not to sing along to avoid undermining what was unfolding on stage.

Choreographer Jess Edward and assistant Emilie Woods make use of the wide stage available to them. The choreography, especially within the show-stopping numbers we all know and love, was somehow both dynamic and simple, which allowed all cast members to execute effectively and capture the fun spirit of the show.

Resident Wardrobe Queen Katie Griffiths brings the vibrant world of Mamma Mia! to life with costumes that are as fitting and realistic as they are fun. Her keen eye for detail and flair for storytelling through wardrobe make each piece feel authentic to the characters and the sunny, carefree spirit of the show. From sequined jumpsuits to breezy island wear, Katie’s designs capture the heart of the musical and add a layer of magic to the performance.

Of course, what is Mamma Mia! without its amazing characters to drive the story? Marika Zorlu shines as Donna Sheridan, bringing depth to the role. Her powerful stage presence and emotional range make Donna both relatable and inspiring, capturing the character’s independence, humor, and vulnerability. Marika’s vocals are both commanding and heartfelt, carrying the story’s iconic songs and resonating deeply with the audience. ‘Money, Money, Money’ was a complete vibe filled with fun, drama and energy, and I had goosebumps during heartfelt numbers like ‘Slipping through my Fingers’ and ‘The Winner Takes it All’.

Isobel Maynard’s Sophie Sheridan was warm and fun. Maynard did a beautiful job of capturing the innocence of her character, and it was the emotional chemistry that she brought to all of her interactions that really made her a standout in this role. Of course, her vocals were amazing - I dare you not to be floored by the amazing job she does in numbers such as ‘Thank You for the Music’. Harry Moorby as Sky beautifully compliments Sophie - their relationship was full of youth and charm that left the audience feeling nostalgic. It was a convincing performance that sold the love between them.

The true triple threat of the show is, of course, Sophie’s three fathers. Adam Ring brings smooth charm to the role of Sam, his harmonies effortlessly blending while his presence anchors the heart of the story. I am genuinely shocked that I walked away with ‘SOS’ being one of my favourite numbers of the evening. Peter McArdle is endlessly endearing as Harry, delivering a performance that’s both charming and irresistibly cute. And Tim Martin as Bill? A true Dundee Delight -  Martin’s humor and adventurous spirit light up the stage and keep the audience smiling from start to finish.

Photos courtesy of Cam McCredie & Maria Gorelik

Nicole Cini brings a fresh and captivating take to Tanya, infusing the role with a surprising innocence that I didn't see coming. Her performance is both unique and impressive, offering a new lens through which to see the character. Berny Em lights up the stage as Rosie, delivering ‘Take a Chance on Me’ with playful energy and effortless charm (I was genuinely laughing throughout). Her relaxed nonchalance makes Rosie feel authentic and grounded, striking the perfect balance between humor and heart.

This cast is 30 strong, and it pains me not to be able to mention everyone in the ensemble by name. However, I will say now that they operated as a well-oiled machine with many pulling focus. Fun was had and it made all the difference.

Lauren Carter made for a delightful Ali; she was sweet, charming and correctly cheeky, and I enjoyed watching her any time she was on stage. Brenna Smith as Lisa was an absolute MVP to me. Without taking away from the great work of the whole ensemble, Smith was pure energy on stage. All of her movements were clean and intentional, and she had a smile on her face the whole time. Smith became the energetic bar by which I measured all others. 

Best Men Eddie and Pepper, played by Dylan Boniface and Liam Vicari respectively, were exceptionally entertaining. At any given point, you could spot their characters in the background with their ridiculous antics, and their lines and interactions were always fun. Buck energy was certainly on point.

Photos courtesy of Cam McCredie & Maria Gorelik

Aleisha Macfadyen, Daniel Lavercombe and Luke Quinn shine in the ensemble. Whether dancing, singing, or supporting the story from the background, their commitment and stage presence elevated the entire production. They each bring their own flair - Aleisha with dynamic movement and expression, Daniel with sharp timing and enthusiasm, and Luke with a magnetic presence that draws the eye. They are only a few examples of how a strong ensemble helps make the world of Mamma Mia! vibrant and unforgettable.

Opening nights are always a settling time, and I’m sure that as time goes on the performers will only become more comfortable on stage. Accents will become more consistent, and the small technical errors will become practically non-existent. Regardless, it did not deter from my overall enjoyment of the evening. 

So, get ready to say Thank You for the Music and take a chance on a night you won’t forget! With sparkling performances, fabulous costumes, and all the ABBA hits you love, this show is pure joy from start to finish. So put on your dancing shoes, grab your tickets, and come join the fun with Blackout Theatre Company’s Mamma Mia! If you’re lucky, you may catch the bouquet!